Jamie Hilder
Works

The Capacity for Joy (in two parts)
Crated Works
Tableau 011
Question & Answer
Subscriptions (w/ Brady Cranfield)
Due to Injuries... (w/ Brady Cranfield)
Night Shift (w/ Brady Cranfield)
Concrete Canoe
Downtown Ambassador
Island Developments (w/ Brady Cranfield)
The Miracle Mile
Paths and Places 2005 [2003]
from Phatic
Overpass Signs

Texts

Critical Writing
Grant Applications - Academic
Grant Applications - Art

Shelfed Gallery


CV

 


“Feeling Numbers: KP Brehmer and the Supermarket.” To Refuse / To Wait / To Sleep. Vancouver: Morris and Helen Belkin Gallery, 2017: 64-69.

 

 

“Concrete Poetry: from the Procedural to the Performative.” Letters: Michael Morris and Concrete Poetry. Vancouver: Morris and Helen Belkin Gallery, 2016: 110-123

 
“Concrete Poetry and Conceptual Art: A Misunderstanding.” Contemporary Literature 54:3 (Fall 2013): 578-614.

 

 

“EADEM MUTATO RESURGO.” The System of Landor’s Cottage: A Pendant to Poe’s Last Story by Rodney Graham. Brussels: Yves Gevaert, 2012: 307-323.

 

 

“Looking and Laughing: Ken Lum at the Vancouver Art Gallery”. Yishu: Contemporary Chinese Art (November / December 2011): 97-105.

 
“Mario Garcia Torres at the Berkeley Art Museum” [review]. Fillip 11 (April 2010): 36-39.

 
“Post-Script” for Not Sheep: New Urban Enclosures and Commons. Curated by Urban Subjects [US] (Sabine Bitter, Helmut Weber, and Jeff Derksen). Artspeak Gallery, Vancouver, July 2006.

 
‘After All One Must Know More Than One Sees And One Does Not See A Cube In Its Entirety’: Gertrude Stein and Picasso and Cubism.” Critical Survey 17:3 (2005): 66-84.