Jamie Hilder

The Methodenstreit
Sir, Please...
The Capacity for Joy (in two parts)
Crated Works
Tableau 011
Question & Answer
Subscriptions (w/ Brady Cranfield)
Due to Injuries... (w/ Brady Cranfield)
Night Shift (w/ Brady Cranfield)
Concrete Canoe
Downtown Ambassador
Island Developments (w/ Brady Cranfield)
The Miracle Mile
Paths and Places 2005 [2003]
from Phatic
Overpass Signs


Critical Writing
Grant Applications - Academic
Grant Applications - Art

Shelfed Gallery



“Vancouver as a Going Concern: Artist Spaces, Public and Non.” Canadian Literature 235 (Fall 2018): 14-30.

“Juvenalia, or How I came to own a Blu-Ray of Point Break.” Whitney Houston, Vol. 2. Vancouver: Agony Klub Books, 2018: 32-39.

“Two Mistakes.” Charcuterie 3. Vancouver: Charcuterie: 62-67.

Letter sent to the Emily Carr Faculty Association email list, Nove 11, 2017.

“Feeling Numbers: KP Brehmer and the Supermarket.” To Refuse / To Wait / To Sleep. Vancouver: Morris and Helen Belkin Gallery, 2017: 64-69.



“Concrete Poetry: from the Procedural to the Performative.” Letters: Michael Morris and Concrete Poetry. Vancouver: Morris and Helen Belkin Gallery, 2016: 110-123

“Concrete Poetry and Conceptual Art: A Misunderstanding.” Contemporary Literature 54:3 (Fall 2013): 578-614.



“EADEM MUTATO RESURGO.” The System of Landor’s Cottage: A Pendant to Poe’s Last Story by Rodney Graham. Brussels: Yves Gevaert, 2012: 307-323.



“Looking and Laughing: Ken Lum at the Vancouver Art Gallery”. Yishu: Contemporary Chinese Art (November / December 2011): 97-105.

“Mario Garcia Torres at the Berkeley Art Museum” [review]. Fillip 11 (April 2010): 36-39.

“Post-Script” for Not Sheep: New Urban Enclosures and Commons. Curated by Urban Subjects [US] (Sabine Bitter, Helmut Weber, and Jeff Derksen). Artspeak Gallery, Vancouver, July 2006.

‘After All One Must Know More Than One Sees And One Does Not See A Cube In Its Entirety’: Gertrude Stein and Picasso and Cubism.” Critical Survey 17:3 (2005): 66-84.